Lines still showing when the pointer reaches the overlay history no
longer fade under it; leaving restarts their COMMANDLINEFADETIME.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The docked panel and Quick Properties render the same rows from one
state, so a picked colour opened both dropdowns and each swallowed the
other's click.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A lone Alt shows a code on every ribbon tab and quick-access button.
Typing a tab code opens the tab and shows the codes of its buttons,
dropdowns, slide-outs and collapsed panels; a button code runs it, a
dropdown or slide-out code opens it and shows its item codes, Esc goes
back one level. Codes follow the reference ribbon; buttons without a
reference counterpart get none and unnamed menu items are numbered.
Codes are drawn as accent pills over the widgets that reported their
bounds in the current frame, with a hint bar under the ribbon. While
the tips are open keys go to them only. The automation gets a keytips
action and read operation.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Create a new named definition from current session edits, restore the source checkpoint, and continue editing the copy with fresh local history. Add the name dialog and Save dropdown, clone supported owned metadata onto independent handles, and refuse unsupported relationships atomically.
The right-edge toolbar of a REFEDIT session now shows the definition
being edited (REFEDITNAME) as an accent pill with the number of objects
in the working set, Add to / Remove from Working Set buttons with their
own icons (REFSET Add / Remove, straight to object selection), and
Save / Discard in a separate group below a rule.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
REFEDIT opens a dialog after the pick: the nesting chain as chips with a
preview of the chosen definition, all objects or picking them in the
drawing, attribute definitions (offered only when the definition has
them), locking objects outside the working set and unique names for an
external reference's named objects. The settings are remembered.
With unique names an xref's dependent layers, linetypes, text styles and
blocks are checked out as $N$NAME records of their own; without, under
the plain name, sharing a host record of that name. Save writes them back
under the reference's names, and the records made for the session are
removed when it closes. -REFEDIT uses the remembered settings.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
IMAGEADJUST (alias IAD) takes the selected raster images or asks
"Select image(s):", then opens a dialog with a before/after preview of
the first image and brightness, contrast and fade rows (bar plus
stepper, whole numbers 0-100). Apply writes the values to every chosen
image as one undo step; restore defaults sets 50/50/0. Adds the
image_adjust automation action and the image-adjust locale group.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
MATCHPROP transfers properties from a source object onto others, so the CAD
crosshair gives way to a monochrome paintbrush whose tip sits on the pick
point - the AutoCAD feel for the same command.
The glyph borrows the crosshair's own colour (including a user-customised
one) and uses a single stroke weight plus one filled wedge, so it reads as
part of the CAD cursor family rather than clip-art. It is drawn instead of
the crosshair, never on top of it, and only while the command is armed.
Three toggles beside the Recent Documents title switch the panel between
the existing list, a grid of thumbnail tiles and one large preview per
file. The choice is kept in the recent section of the app config.
Refs #1494
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Options > Display gains Window Elements with "Show the menu bar"
(MENUBAR) and "Show the ribbon" (RIBBON / RIBBONCLOSE); Options > User
Preferences gains a Hatch switch for HPASSOC. The command line now
starts at 80 % opacity so the drawing shows through it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
MENUBAR 1 shows File, Edit, View, Insert, Format, Tools, Draw,
Dimension, Modify, Parametric and Help menus above the ribbon; every
entry runs an existing command, and a test keeps each entry pointing at
a registered command. RIBBONCLOSE hides the ribbon and RIBBON brings it
back, so the menus can replace it. Both choices persist.
Also translates the "File" label, which every locale had left in
English.
Refs #1450
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Opening the block editor brings up a Block Editor ribbon tab with
Edit / Save / Discard, Attribute Definition, and the geometric,
dimensional and parameter tools that drive parametric blocks. The tab
is only listed while a block editor session is open, and leaving the
session returns to the tab that was active before.
Refs #509
Co-Authored-By: Claude Opus 5.5 <[email protected]>
COMMANDLINEOPACITY (20-100 percent, default 100) and a slider under
Options > Display make the floating command line's panels see-through,
so the drawing stays visible behind it. The input field stays opaque
for legibility. The value is an application setting that persists.
Refs #1494
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Enforce constant attribute flag in ATTEDIT dialog by presenting constant attributes as disabled and ignoring modifications. When exploding an insert, restore block-definition attribute definitions as transformed ATTDEF entities while dropping instance attribute values.
Two AutoCAD .acb books ship with the panel and are read the first time it
opens in a session; a loaded book of the same name replaces them. RAL
values are approximate (CC BY-SA 4.0, Wikipedia); sources and licences
are in each file's header and assets/color_books/README.md.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
Renaming a layer or a style was only applied on Enter; clicking anywhere
else dropped the typed name. A click that moves focus off a field whose
text changed now commits it. New and Copy in the style managers open the
generated name for renaming, so a new style can be named right away.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- The Image tab gains an Adjust card: X/Y offset in pixels (-2000..2000)
and X/Y scale (-10..10, tenth steps, a negative scale mirrors, zero keeps
the image's scale) with spinners and Reset, inactive while the image is
stretched; Keep aspect ratio is a switch and makes both scales follow.
- The preview shows the image at its offset and scale, tiled when tiled,
and a stretched image kept to its aspect ratio covers the view.
- Automation: step=<field>,+1|-1 and reset; offset/scale take any numbers.
- Shaded with edges, Shades of Gray and Sketchy have catalog entries in
every language.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- The background image texture is not an sRGB view: the image is drawn with
its own colours, as the solid and gradient colours are.
- An entered paper-space viewport shows its named visual style (Realistic,
...) in the render-mode picker, and a mode picked there is recorded as the
viewport's visual style.
- The view_background automation action takes offset=x,y and scale=x,y.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Document tab: every concrete colour the drawing uses (objects, block
definitions and layers), found in one pass when the panel opens, as a
grid of swatches sortable by recently used, most used, colour and colour
number. The recently-used list is now kept per drawing, so the ribbon's
Recent row shows this drawing's colours.
Color books tab: load AutoCAD .acb colour books (remembered in the
settings on desktop), browse them page by page with the page strip,
search by name and see the RGB equivalent. A book colour is applied as
RGB plus its BOOK$NAME identity on objects and layers instead of
dropping the name.
Strings translated into all 22 locales.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
Resolve conflicts with the new gradient and graphic-attributes colour
targets: keep main's targets and menu handling, routed through the new
ColorPicker state; adapt dock/view.rs to `color_picker`.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- Split ColorEditor::view into mode_row, slider_rows, field_view,
hex_row and hex_field; output is unchanged.
- hex_string reuses config::rgb_to_hex, and parse_hex documents why it
stays separate (it also accepts #RGB).
- ink_is_dark uses Color::into_rgba8 instead of rounding by hand.
- Remove four translation keys the old dialog used and nothing
references any more, from the catalog and all 22 locales.
- Eyedropper: without a main window there is no screenshot to wait for,
so leave the eyedropper; keep the magnifier inside small windows.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- Keep the modal keyboard comment with the code it describes and match
shortcut keys without an extra closure.
- Drop unused ColorEditor::mode, EyedropperMsg::Cancel and a duplicate
rgb helper; re-export nearest_aci instead of wrapping it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- The gradient view no longer shows the nearest index colour.
- Mode buttons are 44 x 24 and the pipette button matches their height.
- Slider rows are 14 px apart and the gradient field is 108 px tall, so
the hex value sits on the same row in the HSB, RGB and gradient views.
- The interface colour picker (Options) shrinks to its content, ending
just below the hex row.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- The gradient mode button is just its gradient, without a frame.
- In the gradient view H, S and B sit on the left and Hex on the right
of one row; the nearest index colour moves to the row below.
- Every colour swatch in Options opens the Select Color panel: the six
theme colours, crosshair, snap marker and command line text join the
three viewport backgrounds. BgTarget becomes UiColor, and one
color_swatch helper replaces the four hand-built swatches.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- Current and New are a 50/50 band across the panel with their names
and values inside; the Color text box is gone.
- The gradient mode button is one gradient across the whole button,
gray until that mode is active. Mode buttons share one width.
- Tab and Shift+Tab move between the panel's own fields.
- Number boxes are 54 px wide, the hex box 74 px.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- ColorEditor: the HSB / RGB / field editor and hex box, now shared by
the Select Color panel and the Options background swatches. Those
swatches open the panel without tabs or index colours, which removes
the iced_aw color_picker feature and the BgPicker messages.
- Sliders are iced's built-in slider and vertical_slider over a
gradient container; the custom GradientSlider widget is gone.
- Nearest index colour comes from opencadcodec's aci_table::nearest_aci.
- Eyedropper: a pipette at the right of the mode row hides the panel,
captures the window with iced's screenshot task and shows an 11x11
magnifier beside a crosshair; a click picks the pixel, Esc backs out.
Not offered on the web build.
- The hex box applies six-digit values while typing.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Claude-Session: https://claude.ai/code/session_013rGmDUNr1hUf4zo1X3dak8
- Gradients: the middle colour sits (horizon - 0.5) viewport widths from the
centre and blends over height viewport heights each side; two colours
blend over a viewport height each side.
- Image backgrounds: offset in device pixels (right, down), negative scale
mirrors, fitted with aspect ratio covers the viewport; the dialog keeps an
image's offset and scale.
- Layouts: a model-space view restored on a sheet asks for the viewport,
enters it and gives it the view's camera, background and visual style;
inside a viewport the view goes there; a paper-space view's background is
kept on the sheet viewport but not drawn; floating viewports draw their
background.
- Background objects no view or viewport uses any more are erased; a view
without a background restored where the viewport already is leaves the
viewport's background.
- The viewport's named visual style (Realistic, ...) shows by name and the
render-mode picker records its style on the viewport record.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The last four big web-vs-desktop gaps.
XREFs: XATTACH reads the picked drawing's bytes and registers them
name-keyed (the image/PDF-underlay pattern), pre-parses on the web
worker, and the commit merge produces the same xref block flow as
native. Opened drawings resolve xrefs from the registry (trailing-name
match) before cache build; unresolved references produce ONE warning
listing the names and the fix — drop the referenced files on the page
(drops and picker opens now register their bytes) and reopen or
XRELOAD. XRELOAD works off the registry on unsaved drawings too.
Data Link & Extraction: spreadsheet links read picked xlsx/csv bytes
(calamine from slices / CSV from string) through a session registry,
so preview, refresh, and table-insert work on web; extraction takes
external drawings via a multi-file picker parsed on the worker, and
outputs CSV/TXT/.dxex via download_bytes. The disabled 'Add folder'
button explains why.
ARCHIVE/ETRANSMIT: assembles the drawing plus registered images, PDF
underlays, and session plot tables into a ZIP delivered as
{stem}_transmit.zip; skipped dependencies are reported by name.
Save/autosave off the UI thread: the parse worker gains a serialize
action (protocol v5) — the document is prepared once on the main
thread (clone, styles, dimension bake), then the DWG/DXF writer pass,
the dominant cost, runs on the worker; any worker failure falls back
to inline serialization with the identical shared implementation.
The save path also clears the dirty flag only when the tab didn't
change mid-write, and the runtime-fields sidecar now carries
graphic_data, fixing a pre-existing loss of raw DWG round-trip bytes
on web-opened documents.
(cherry picked from commit 2e100634)
Ported onto main (#1717 review): the new ocs_save crate builds on the
pinned codec; the hand-written ZIP writer is replaced by the zip crate
already in the tree; ARCHIVE packs registered xref bytes too and
serializes document_for_save() like a web Save; the web save prepares
document_for_save() (prepare_document_for_save now takes the copy by
value, so no second clone); the wasm resolve_path consults the xref
registry, so every reference lookup — not just resolve — finds dropped
files; XRELOAD keeps main's undo, unload and stale-baseline handling;
native data extraction streams the source drawings one at a time.
