SLICE now takes MESH, polygon mesh and polyface mesh objects. A mesh
that closes a volume is sliced as a solid, so each side is capped and
becomes a 3D solid. An open mesh, such as a pipe run imported without
end caps, is clipped face by face and each side stays a mesh, open
along the cut. Keeping one side or both works as for solids, in one
undo step.
Refs #1398
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Text styles keep their TrueType typeface through save and reopen (codec
reads and writes the STYLE record's ACAD extended data) (#1633)
- Unnamed shape-file entries no longer show in text style lists (#1634)
- Save As offers DWT 2018; NEW asks for the template to start from, while
Ctrl+N and the quick-access New run QNEW with the default template (#1635)
- An edge next to an earlier fillet of the same radius rounds together with
it (kernel); the solid stays drawn and pickable while edges are chosen
(#1625, #1107)
- A full cache rebuild drops the B-rep cache too, so an undone fillet does
not come back with the next edge operation (#1107)
- Selected solids in shaded styles highlight only their visible edges (#1031)
- VIEW ISO / SWISO / SEISO / NEISO / NWISO snap to the isometric corners
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Fixes:
- Font prompt no longer lists bundled ltypeshp/qcadshp shape files (#1626)
- Wide polylines step at a discontinuous segment width; PEDIT marks the
current vertex; keyword steps refresh the command preview (#1628)
- Radius-0 fillet drops the zero-length segment it left, so the corner
fillets again (#1422)
- FILLET Trim / No trim option (#1558)
- True-colour wires plot in their own colour; colour picker stores the
value it shows (#1621)
- Model tab keeps its page setup; "Save changes to layout" in Model (#1620)
- QNEW default template in Options > Files; .dwt in the open dialog
(#1134, #1113)
- GRIDUNIT / GRIDMODE / PERSPECTIVE variables (#1618, #1524)
- PTYPE (#1433)
- ZOOM nX / nXP (#1465)
- CHSPACE between model and paper space through a viewport (#1428)
- Moving a dimension keeps its automatic text placement
- Shell icon; "&&" button labels (#1554)
- LINETYPE Load from a .lin file (#1588)
- XLINE / RAY hide the crosshair arms (#1437)
- Dynamic-input boxes keep clear of the crosshair and each other (#1546)
- Snap marker colour setting, dark default on light canvases
(#1497, #1229, #1128)
- Dimension style precision as a 0.00 pattern dropdown (#1426)
- Node graph nodes left of the origin no longer clip away (#1592)
- Collapse button in the command history header (#1094)
- Freeze-in-current-viewport toggle in the ribbon layer list (#1466)
- Geometric Center object snap for closed polylines (#1369)
New strings translated in all 21 locales.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Real BT/Tj text objects ride alongside the vector outlines (Tr 3,
zero visual change): runs preserved at layout time, TTF styles embedded
as allsorts subsets with ToUnicode, width-matched Tm, clip-culled.
WireModel literals moved to ..Default::default() tails.
Codec: PRs #71-#74 merged (MPOLYGON layout, multiline ATTDEF/ATTRIB DXF,
DXF MATERIAL/ACSH matrix, restorable SAT/SAB + history roots) and issues
#55 #64-#69 fixed. EntityType now boxes Surface, Extended, Table,
MultiLeader and Helix (2344 B -> 848 B per entity): construction sites
wrap in Box, the entity traits forward through Box, and the python
plugin generator converts with into(). Kernel: PR #70 (cuboid ring
winding).
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- The Frames list shows the drawing's frame state (hide / display and plot /
display but not plot / frames vary), follows commands, undo and document
switches, and lists the mixed state as a disabled item.
- DWFFRAME and DGNFRAME are frame variables of their own, kept in the header,
and FRAME sets them with the others.
- Out-of-range frame values say "Requires an integer between 0 and 2." and
ask again; a set value reports "Regenerating model.".
- IMAGEFRAME is stored in the image variables as bits (2 is written as 3) and
a drawing without them uses the profile value, which setting IMAGEFRAME
updates and the settings file keeps.
- Raster images, PDF underlays and wipeouts are picked on their frame only;
underlay snap geometry is never picked.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Height and distance steps (PUSHPULL, CYLINDER, CONE, PYRAMID, BOX,
EXTRUDE) replaced the point with the cursor's screen mapping onto the
command axis, discarding an acquired 3D object snap. A genuine snap now
supplies its own coordinate along the axis, as axis grips already do.
Base steps after the first base point (BOX/WEDGE opposite corner and cube
size, CYLINDER/CONE/PYRAMID radius) read the cursor on the base plane
through that point. A base started on a raised face intersected the ray
with world XY instead, so in oblique views the footprint ran far past the
mouse.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The codec and kernel repositories and crates are renamed opencadcodec and
opencadkernel. Inside OCS they are depended on under short keys, so code
reads `codec::`, `kernel::` and the new `graph::` (opencadgraph, the node
graph engine). File-format and protocol spellings stay as they were: the
ACIS product id `acadrust`, the ACADRUST_* switches and the plugin
version keys `acadrust_version` / `acadrust_source`.
A button left of MCP on the command line opens a translucent node graph
over the viewport, with a palette of object, input, math, logic, list,
text and geometry nodes added by click or drag. An object node owns
drawing entities and its rows are the Properties panel's own rows for
them: the single-object page is extracted from refresh_properties as
entity_property_sections, values use the control protocol's
property_json, and writes go through set_property_value with a property
target override, so the panel, MCP and the graph share one read/write
path. A list reaching an object row makes one entity per element. Each
graph action is one undo step; the canvas pans and zooms.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Switching to a Layout re-tessellated the whole model — `memo_miss=186455`,
2034 ms — to arrive at geometry identical to what was already in the memo.
The only thing that differed was colour.
`local_wires_for` already knows this: it stores the raw colour and drops
its background argument with `let _ = bg_color;`, noting that
`Batches::finalize` applies `adapt_to_bg` last, "so the cache no longer
has to rebuild on BACKGROUND / layout-switch". The tessellation memo's
guard had not been told, and still mixed the background in, so every
entry was discarded on a switch.
`finalize` now records what its colour resolution consumed — the raw
colour, the raw glyph colours, and the three flags it branches on — as
`WireModel::bg_adapt`, and `resolve_colors_for_bg` replays it for another
background. The guard drops the background, so a memo entry serves any
layout.
The resolution recomputes from the recorded raw colour rather than from
the resolved one, which makes it idempotent and therefore safe over a set
that mixes memo hits with freshly tessellated misses. Re-adapting the
resolved colour would not be safe: `adapt_to_bg` snaps a near-white colour
to pure black on a light background, and pure black comes back pure
*white* on a dark one, losing the tint. A test pins that asymmetry so the
raw colour is not optimised away later.
The contract is tested against the real `finalize` rather than a copy of
its logic: for every background pair, building under one and resolving for
the other lands exactly where building under the other would have.
`bg_adapt` is `None` for wires built anywhere else, and the resolution
skips them, so nothing outside the block cache changes colour. It is also
`None` when the resolution would be a no-op — a preserved colour with no
canvas fill looks the same under every background — which keeps the common
case at no cost.
Ordering is unchanged: the pass runs inside the builder, before
`append_scene_markers` and `apply_refedit_fade`, both of which have their
own separate background dependency.
`wires-build` gains `colors=` so the pass has a number of its own.
Co-Authored-By: Claude Opus 5 <[email protected]>
