PDF dash entries are whole points in the plot's user space; on an inch
sheet a 0.1 in dash rounded to the 1-unit floor, so every short pattern
plotted as 1 in on, 1 in off.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Every weight under 0.26 mm was clamped to the screen's 1 px floor before
the PDF and SVG exporters saw it, so 0.00, 0.09, 0.13 and 0.25 mm all
plotted alike. The floor now applies on the GPU only.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A selection of several unconnected chains, or one holding a closed
polyline, failed as a whole; each chain now joins on its own and the
rest stays.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The docked panel and Quick Properties render the same rows from one
state, so a picked colour opened both dropdowns and each swallowed the
other's click.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
ISOCPEUR, ISOCTEUR and the other aliased names are real fonts; with one
installed, its face draws the text instead of the stroke substitute,
which has no Cyrillic.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
With TAN and CEN on, hovering a circle offered its centre everywhere on
the rim, so the tangent point from the base was never reachable.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A ten-minute time::every on wasm piles up long setTimeouts in the shared
wasmtimer driver until it stops waking every timer, which silenced the
automation channel and drop-open about 8 s after load.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
#1776 left its dialog in English outside tr-TR and added the
image_adjust automation action without re-pinning the MCP tool schema
digest, which failed tool_schema_digest_is_pinned.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A lone Alt shows a code on every ribbon tab and quick-access button.
Typing a tab code opens the tab and shows the codes of its buttons,
dropdowns, slide-outs and collapsed panels; a button code runs it, a
dropdown or slide-out code opens it and shows its item codes, Esc goes
back one level. Codes follow the reference ribbon; buttons without a
reference counterpart get none and unnamed menu items are numbered.
Codes are drawn as accent pills over the widgets that reported their
bounds in the current frame, with a hint bar under the ribbon. While
the tips are open keys go to them only. The automation gets a keytips
action and read operation.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Translate the 159 Sheet Set Manager strings still in English, using the
terms already in the file: Conjunto de planos, plano, Presentación,
espacio modelo / papel. Variables, NEWSHEETSET and file masks are untouched.
Synchronize the native parametric graph only when replay changes constraints or named parameters. Geometry and visibility history preserve existing imported network identities and ownership. Add a regression for a rejected block copy followed by local undo and redo.
Create a new named definition from current session edits, restore the source checkpoint, and continue editing the copy with fresh local history. Add the name dialog and Save dropdown, clone supported owned metadata onto independent handles, and refuse unsupported relationships atomically.
The right-edge toolbar of a REFEDIT session now shows the definition
being edited (REFEDITNAME) as an accent pill with the number of objects
in the working set, Add to / Remove from Working Set buttons with their
own icons (REFSET Add / Remove, straight to object selection), and
Save / Discard in a separate group below a rule.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
REFEDIT opens a dialog after the pick: the nesting chain as chips with a
preview of the chosen definition, all objects or picking them in the
drawing, attribute definitions (offered only when the definition has
them), locking objects outside the working set and unique names for an
external reference's named objects. The settings are remembered.
With unique names an xref's dependent layers, linetypes, text styles and
blocks are checked out as $N$NAME records of their own; without, under
the plain name, sharing a host record of that name. Save writes them back
under the reference's names, and the records made for the session are
removed when it closes. -REFEDIT uses the remembered settings.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
IMAGEADJUST (alias IAD) takes the selected raster images or asks
"Select image(s):", then opens a dialog with a before/after preview of
the first image and brightness, contrast and fade rows (bar plus
stepper, whole numbers 0-100). Apply writes the values to every chosen
image as one undo step; restore defaults sets 50/50/0. Adds the
image_adjust automation action and the image-adjust locale group.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
In the Block Editor, BVSTATE makes a new visibility state, makes one
current, renames or deletes one; BVHIDE and BVSHOW hide or show the
picked objects in the current state (BVSHOW shows every object of the
block while they are picked). The first use makes the block dynamic.
The states are stored as the format keeps them: a
BLOCKVISIBILITYPARAMETER in the block's ACAD_ENHANCEDBLOCK evaluation
graph with its visibility grip and the grip's two location expressions,
the round-trip purge preventer, AcDbDynamicBlockTrueName /
AcDbDynamicBlockGUID / AcDbBlockRepETag on the definition and element
tags on each of its objects. The definition shows its first state; a
reference given another state gets its own evaluated *U copy, tagged
AcDbBlockRepBTag and linked back through AcDbBlockRepresentation /
AcDbRepData, so it shows that state and the other references do not
change. Saving the block drops erased objects from the states.
Checked: a block authored this way reads back with its states and
reference link from DWG and DXF, and the ODA converter accepts the DWG.
Closes#1566
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Keep the product name Open CAD Studio, restore the accents of Colinéaire
and Égal, and use the established French terms for the array commands
(Réseau rectangulaire / polaire / trajectoire) and Lissage for loft.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
add_layout took the sheet viewport out, so the first viewport added to
the layout afterwards (by automation, or a plugin) was read as the sheet
and the scale pill and paper camera followed it. The sheet now stays and
is fitted to the page when the layout first opens; a layout saved before
that is still written without viewports.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Opening a layout whose page setup was never filled in took every viewport
out of it, including viewports onto the model a file carries (plenty of
DXF writers leave the paper fields empty). With only the sheet taken out
instead, the next viewport would have been read as the sheet. The sheet
is now fitted to the new page and every other viewport stays.
A layout saved as never opened keeps its state when it already holds a
viewport onto the model (one added by automation), and only its sheet is
taken out otherwise.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
REFCLOSE Save on an xref replaced the referenced file's model space with
the working set alone. With the Nested selection method the objects that
were not checked out stay in the definition, but they were deleted from
the file on disk. Write back every object of the saved definition, and
copy the file to .bak first when ISAVEBAK is on, as a drawing save does.
Also translate the new REFEDIT prompts into the other 20 locales; the
catalog test requires every locale.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
The brightness/contrast cache keyed entries by the source buffer's
address without holding it, so a reloaded image whose new buffer landed
at the freed address could be shown with the old file's pixels. Each
entry now holds its source. The new functions had also been inserted
between resolve_image's doc comment and the function, merging that text
into the lookup table's documentation; it is back where it belongs.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Brings in the merged codec PRs (XCLIP transforms in the reference order,
table entries added after load get handles in DXF, default APPID handle
collision, viewport ShadePlot and grid flags) and the kernel's sweep and
off-plane revolve work.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
MATCHPROP transfers properties from a source object onto others, so the CAD
crosshair gives way to a monochrome paintbrush whose tip sits on the pick
point - the AutoCAD feel for the same command.
The glyph borrows the crosshair's own colour (including a user-customised
one) and uses a single stroke weight plus one filled wedge, so it reads as
part of the CAD cursor family rather than clip-art. It is drawn instead of
the crosshair, never on top of it, and only while the command is armed.
