-BLOCK, -WBLOCK, -BEDIT, ATTSYNC, BASE and INSBASE follow the reference
prompts and messages; empty blocks; WBLOCK keeps object coordinates and
stores INSBASE; annotative and hyperlink data on the block record; block
preview images; remembered dialog choices; block aliases.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
#1776 left its dialog in English outside tr-TR and added the
image_adjust automation action without re-pinning the MCP tool schema
digest, which failed tool_schema_digest_is_pinned.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
A lone Alt shows a code on every ribbon tab and quick-access button.
Typing a tab code opens the tab and shows the codes of its buttons,
dropdowns, slide-outs and collapsed panels; a button code runs it, a
dropdown or slide-out code opens it and shows its item codes, Esc goes
back one level. Codes follow the reference ribbon; buttons without a
reference counterpart get none and unnamed menu items are numbered.
Codes are drawn as accent pills over the widgets that reported their
bounds in the current frame, with a hint bar under the ribbon. While
the tips are open keys go to them only. The automation gets a keytips
action and read operation.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Translate the 159 Sheet Set Manager strings still in English, using the
terms already in the file: Conjunto de planos, plano, Presentación,
espacio modelo / papel. Variables, NEWSHEETSET and file masks are untouched.
The right-edge toolbar of a REFEDIT session now shows the definition
being edited (REFEDITNAME) as an accent pill with the number of objects
in the working set, Add to / Remove from Working Set buttons with their
own icons (REFSET Add / Remove, straight to object selection), and
Save / Discard in a separate group below a rule.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
REFEDIT opens a dialog after the pick: the nesting chain as chips with a
preview of the chosen definition, all objects or picking them in the
drawing, attribute definitions (offered only when the definition has
them), locking objects outside the working set and unique names for an
external reference's named objects. The settings are remembered.
With unique names an xref's dependent layers, linetypes, text styles and
blocks are checked out as $N$NAME records of their own; without, under
the plain name, sharing a host record of that name. Save writes them back
under the reference's names, and the records made for the session are
removed when it closes. -REFEDIT uses the remembered settings.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
IMAGEADJUST (alias IAD) takes the selected raster images or asks
"Select image(s):", then opens a dialog with a before/after preview of
the first image and brightness, contrast and fade rows (bar plus
stepper, whole numbers 0-100). Apply writes the values to every chosen
image as one undo step; restore defaults sets 50/50/0. Adds the
image_adjust automation action and the image-adjust locale group.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
In the Block Editor, BVSTATE makes a new visibility state, makes one
current, renames or deletes one; BVHIDE and BVSHOW hide or show the
picked objects in the current state (BVSHOW shows every object of the
block while they are picked). The first use makes the block dynamic.
The states are stored as the format keeps them: a
BLOCKVISIBILITYPARAMETER in the block's ACAD_ENHANCEDBLOCK evaluation
graph with its visibility grip and the grip's two location expressions,
the round-trip purge preventer, AcDbDynamicBlockTrueName /
AcDbDynamicBlockGUID / AcDbBlockRepETag on the definition and element
tags on each of its objects. The definition shows its first state; a
reference given another state gets its own evaluated *U copy, tagged
AcDbBlockRepBTag and linked back through AcDbBlockRepresentation /
AcDbRepData, so it shows that state and the other references do not
change. Saving the block drops erased objects from the states.
Checked: a block authored this way reads back with its states and
reference link from DWG and DXF, and the ODA converter accepts the DWG.
Closes#1566
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Keep the product name Open CAD Studio, restore the accents of Colinéaire
and Égal, and use the established French terms for the array commands
(Réseau rectangulaire / polaire / trajectoire) and Lissage for loft.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
REFCLOSE Save on an xref replaced the referenced file's model space with
the working set alone. With the Nested selection method the objects that
were not checked out stay in the definition, but they were deleted from
the file on disk. Write back every object of the saved definition, and
copy the file to .bak first when ISAVEBAK is on, as a drawing save does.
Also translate the new REFEDIT prompts into the other 20 locales; the
catalog test requires every locale.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
ARRAYEDIT picks an associative array (or takes the preselected one) and
its Source option opens the objects every item repeats in the Block
Editor; saving there updates all items at once. Counts and spacings stay
in Properties.
Refs #1109
Co-Authored-By: Claude Opus 5.5 <[email protected]>
SECTIONCULL keeps only what the selected section object (or the live
section of the space) shows: solids, surfaces and closed meshes are cut
to it with the same planes the live section uses, open meshes are
clipped face by face, and every other object wholly outside it is
erased. Objects across the boundary that cannot be cut stay whole. One
undo step.
The section's bounding planes are gathered once (section_planes) and
shared by the live section and the cull.
Refs #1407
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Three toggles beside the Recent Documents title switch the panel between
the existing list, a grid of thumbnail tiles and one large preview per
file. The choice is kept in the recent section of the app config.
Refs #1494
Co-Authored-By: Claude Opus 5.5 <[email protected]>
COMPARE picks a drawing (or takes its path) and matches its objects with
this drawing's by what they draw: type, layer and tessellated geometry,
so an unchanged copy matches whatever its handle. Objects only here are
outlined in green, objects only in the other drawing in red, over the
current drawing, and Next / Previous zoom from one difference to the
next with a count in the prompt. A moved or edited object shows as one
of each. eXit (or Esc) clears the overlay.
Refs #970
Co-Authored-By: Claude Opus 5.5 <[email protected]>
With the new Associative option on (the default), ARRAYRECT and
ARRAYPOLAR build the array the way the drawing format stores one: the
selected objects move into an anonymous source block, an anonymous
array block holds one ByBlock reference to it per item, an INSERT of
the array block takes their place, and an AcDbAssocAction with an
AcDbAssocArrayActionBody, its three dependencies, the BaseNormal /
Origin / basePoint parameters and the value parameters tie them
together in the model-space network. The array is then edited from
Properties like an array read from a file.
The option flips with AS and is remembered for the session; on a
rotated working plane the commands keep making plain copies. Saving
drops the action of an array whose reference was erased or exploded.
Checked: created arrays reopen as associative with their parameters
and items, and the ODA converter reads the saved DWG without errors.
Refs #1109
Co-Authored-By: Claude Opus 5.5 <[email protected]>
An associative array is an AcDbAssocAction with an
AcDbAssocArrayActionBody, dependencies on the array INSERT, the block
holding the item references and the block holding the source objects,
and value parameters (Items, ItemSpacing, Rows, …). Selecting the array
INSERT now shows its counts and spacings in Properties; changing one
places the items again and rewrites the item references, the body's
item records and the parameter values together, in one undo step, so
the drawing stays associative when saved.
Rectangular arrays follow their RowProfile axis, AxesAngle and base
normal; polar arrays turn about the centre recovered from their first
item, Radius and StartAngle. Both match the stored items of the
associative arrays in the sample drawings (122 of 123 rectangular, all
polar items of the polar samples). Path arrays are shown read-only.
Refs #1109
Co-Authored-By: Claude Opus 5.5 <[email protected]>
FBXEXPORT (also EXPORTFBX) saves every 3D mesh of the drawing (solids,
surfaces and meshes, at full display resolution) as a binary FBX 7.4
file for visualisation tools: one model per object with its geometry,
face normals and a material in its display colour. Axes stay Z-up and
the unit scale follows the drawing's insertion units.
Refs #1502
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Options > Display gains Window Elements with "Show the menu bar"
(MENUBAR) and "Show the ribbon" (RIBBON / RIBBONCLOSE); Options > User
Preferences gains a Hatch switch for HPASSOC. The command line now
starts at 80 % opacity so the drawing shows through it.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
MENUBAR 1 shows File, Edit, View, Insert, Format, Tools, Draw,
Dimension, Modify, Parametric and Help menus above the ribbon; every
entry runs an existing command, and a test keeps each entry pointing at
a registered command. RIBBONCLOSE hides the ribbon and RIBBON brings it
back, so the menus can replace it. Both choices persist.
Also translates the "File" label, which every locale had left in
English.
Refs #1450
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Opening the block editor brings up a Block Editor ribbon tab with
Edit / Save / Discard, Attribute Definition, and the geometric,
dimensional and parameter tools that drive parametric blocks. The tab
is only listed while a block editor session is open, and leaving the
session returns to the tab that was active before.
Refs #509
Co-Authored-By: Claude Opus 5.5 <[email protected]>
ADJUST gathers raster images or PDF/DWF/DGN underlays (other objects are
dropped silently, pickfirst is used, a mixed set is refused), then asks the
image option (Brightness default) or the underlay option (last used), with
value prompts that offer the image's own value or the session's last
underlay fade/contrast, and Monochrome Yes/No. Invalid values re-prompt.
One undo step. -IMAGEADJUST, PDFADJUST, DWFADJUST and DGNADJUST take one
kind each. Raster image Brightness/Contrast/Fade move to an Image Adjust
section as whole numbers with 0-100 validation.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
COMMANDLINEOPACITY (20-100 percent, default 100) and a slider under
Options > Display make the floating command line's panels see-through,
so the drawing stays visible behind it. The input field stays opaque
for legibility. The value is an application setting that persists.
Refs #1494
Co-Authored-By: Claude Opus 5.5 <[email protected]>
TXTEXP replaces each selected TEXT and MTEXT with one polyline per
glyph contour, on the text's layer and with its properties: a
lightweight polyline for flat text, a 3D polyline for tilted text.
The outlines come from the same glyph tessellation the text renders
with, so stroke fonts give their strokes and outline fonts their
closed contours.
Refs D#1665
Co-Authored-By: Claude Opus 5.5 <[email protected]>
In model space MVSETUP draws the sheet border at the drawing scale
(scale factor, paper width and height) and zooms to it, or switches to
a layout. On a layout it creates viewports in a bounding area (a single
one, a 2x2 engineering set of top/front/right/isometric views, or an
array with spacing), deletes picked objects, and scales picked
viewports to a paper/model unit ratio.
A viewport's fit to the model now measures the model along the
viewport's own view direction, so side and isometric views frame it
too.
Refs #1501
Co-Authored-By: Claude Opus 5.5 <[email protected]>
PASTESPEC offers the formats on the clipboard: Objects and Block for
objects copied in the application (the PASTECLIP and PASTEBLOCK paths),
and Text for the system clipboard's text, placed as multi-line text in
the current text style with its lines as paragraphs.
Refs #645
Co-Authored-By: Claude Opus 5.5 <[email protected]>
DVIEW (alias DV) offers TWist and Undo. TWist rolls the active view
or viewport camera to the typed angle; Undo steps back through the
twists made in the session. The new alias reaches existing profiles
through the alias migration table.
Refs #638
Co-Authored-By: Claude Opus 5.5 <[email protected]>
Typing <angle at a point prompt (e.g. <30) now fixes the direction of
the next point from the last one until a point is placed: the cursor
moves along that direction, and a bare number entered next is the
distance along it. The angle is read in the drawing's angle base and
direction and turned into the current UCS. Works from the command line
and from scripts or the automation token input alike.
Fixes#1464
Co-Authored-By: Claude Opus 5.5 <[email protected]>
"Requires a number." and "Requires 0 or 1 only, or option keyword."
had no catalogue entry, so every locale showed them in English.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- The Image tab gains an Adjust card: X/Y offset in pixels (-2000..2000)
and X/Y scale (-10..10, tenth steps, a negative scale mirrors, zero keeps
the image's scale) with spinners and Reset, inactive while the image is
stretched; Keep aspect ratio is a switch and makes both scales follow.
- The preview shows the image at its offset and scale, tiled when tiled,
and a stretched image kept to its aspect ratio covers the view.
- Automation: step=<field>,+1|-1 and reset; offset/scale take any numbers.
- Shaded with edges, Shades of Gray and Sketchy have catalog entries in
every language.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
- Translate the strings the #1717 port cataloged in English only
(CSV picker, plot-preview task, extraction cap, shared-copy warning)
for every locale, and the whole ported web set for lo-LA, which the
contributor branch predates.
- hu-HU carried twelve keys twice after the port's merge; keep main's.
- The STB container/refusal tests exercised parsing this port did not
bring over; the preview-clamp test now only pins the upper bound, since
main's raster path already clamps preview pages further.
Co-Authored-By: Claude Opus 5.5 <[email protected]>
